Welcome to My World

How did I get here...

Hello and welcome to my corner of the internet!

If you're here, you're probably curious about the work, the art, or the story behind the animations. Well, this site is the culmination of a journey that started long before I ever opened Maya or slipped on a mocap suit. It started in front of a screen, heart full of wonder, playing the games and watching the films that would shape my creative soul.

I grew up mesmerized by the tactical storytelling of Metal Gear Solid, the epic narratives and characters of Final Fantasy, and the brutal, majestic world-building of Bloodbourne and Sekiro. I studied the fluid, free-flow combat of the Batman: Arkham series and the raw, powerful spectacle of God of War not just as a player, but as an animator in the making. These weren't just games; they were my masterclasses. They taught me that animation isn't just about movement—it's about emotion, weight, and telling a story through every single frame.

My passion was always a blend of mediums. The expressive power of animation, the visual language of cinematography, and the foundational depth of storytelling and screenwriting are all part of the same creative heartbeat for me. For over 18 years, I've been honing this craft, from directing motion design in Brazil to learning the ropes of the industry from the inside out.

This journey—from being a wide-eyed fan to contributing to AAA titles like theHunter: Call of the Wild and the upcoming Contraband at Avalanche Studios—has been incredible. But it has only fueled my ambition further.

I built this site as a living portfolio and a promise: a promise to keep pushing, to keep learning, and to keep chasing that feeling of wonder I had as a kid. The games industry moves at a breathtaking pace, with new techniques, tools, and stories emerging every day. And I can’t wait to learn them all.

I am filled with so much excitement and energy for what’s next. This is only the beginning of a new level, and I’m ready to press start.

Thank you for being here.

— Bruno Barbosa